Tulsa

Product Information

While a teenager Clark developed his photography skills working as an assistant to his mother, a door-to-door baby photographer. Its publication in 1971 "caused a sensation within the photographic community", leading to a new interest in autobiographical work. Their first hand intensity, recollects the work of Danny Lyon and Bruce Davidson, but Clark's raw voyeurism and insistent exposure of detail results in a somberness that differentiates his work from that of others in the early 1970s.

Tulsa demonstrated a new style of photography that was subjective, alienated and completely detached from any social agenda. Born on January 19, 1943 in Tulsa, OK, Clark studied at a commercial photography school after working as an assistant to his mother, who worked as a portrait photographer of children. His large-scale retrospective “Kiss The Past Hello” was exhibited at the Musée d’Art Moderne de la Ville de Paris in 2010, and he has been the subject of solo exhibitions at the Galerie Urbi et Orbi in Paris, the Taka Ishii Gallery in Tokyo, and at the International Center of Photography in New York. The lighting is natural, the composition often classic, and there’s a lot of poignancy and humanity on display as these young people spiral away. The primarily black jacket has some wear at edges, rubbing on the rear panel, and a few closed, creased tears at edges.When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. His work is included in important museum and private collections including the Metropolitan Museum of Art, New York, NY; The Museum of Modern Art, New York, NY; The Whitney Museum of American Art, New York, NY; the San Francisco Museum of Modern Art, San Francisco, CA; The Museum of Contemporary Art, Los Angeles, CA; The Houston Museum of Fine Arts, Houston, TX; Museum of Contemporary Art, Los Angeles, CA; and the Frankfurt Museum für Moderne Kunst, Frankfurt, Germany. George Eastman House ( Rochester, New York) possesses a complete set of the fifty prints used to make the original book. Cover image from Tulsa made into a 23" x 18" poster from an exhibition at the Robert Freidus Gallery. Clark's long-lost film, Tulsa, which was shot in 16mm in 1968 and rediscovered in 2010, will also be screened – an altogether more experimental precursor to the movies that followed, including Kids and Ken Park, and full of graphic sex.

By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions. By submitting this form, you acknowledge that the information you provide will be transferred to MailChimp for processing in accordance with their Privacy Policy and Terms. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared.The Groninger Museum ( Groningen) bought the series of prints in 1998 and exhibited them in January–April 2005.

Tulsa is a collection of black-and-white photographs by Larry Clark of the life of young people in Tulsa, Oklahoma.Some chipping, rubbing and wear to the dustcover edge with several one inch tears along the head and base of the spine now protected with a Mylar cover. In his collages and videos of the late 1980s and early 1990s, he broadened this investigation into revealing the ways that mass media alternately creates, rejects, and eroticizes young people. Hardcover, very good in near very good slightly rippled jacket with slight scuffing and light wear to edges. when I'm photographing I always try to shoot against the light (refers to the cover image from Tulsa entitled 'Dead, 1970'). Considered shocking for its graphic portrayal of the intimate details of its subjects' risky lives, the book launched Clark's career.

A near fine copy with crisp and fresh pages, and only light rubbing to the spine ends; in the original dust jacket with wear and a few tears to the spine ends, very light rubbing on the corners. Next week, Foam in Amsterdam pairs images from Tulsa with photographs from Clark's follow-up, Teenage Lust, for a show that reminds us just how unsettling Clark's early vision of the teenage "outlaw life" was, and remains.And in case you’re wondering, Clark had such intimate access to his subjects because he was shooting up the drugs right along with them. But Clark went there first, and Tulsa remains a template for all that followed, a blurring of the lines between voyeurism and intimate reportage, between honesty and exploitation. It has been claimed that thanks to Gene Pitney's 1960 song " Twenty Four Hours from Tulsa", Tulsa then represented "young love and family values"; [3] Clark's book challenged this with scenes of young people having sex, shooting up drugs, and playing with guns. Clark's crisp, haunting black-and-white photos, staying remarkably true to their original American iteration.